Saab näha, kuidas mekib.
Wednesday, April 01, 2009
Tuesday, March 10, 2009
How not to say anything
Another example of an urban narrative - graffity with a "point". Althoug it seems that the author has nothing to say he/she does it with a bold statement. I think all of us can somewhat relate to the message. I often get overwhelmed by the overflow of information and I sense somekind of an obligation to create content myself... if you don't publish, you don't exist on the web. But what if I have nothing to say? Is it acceptable to be only a media consumer in the world of web 2.0?
Image borrowed from Geroli's post.
Urban forms of narrative
This is relatively new graffity. The overprass is near the place where I grew up and it's a favorite spot for graffity artists. Just recently I discovered that the previous graffity had been "erased". But this seemed to be an invitation and "a clean page" for new artists to try their skills. I like this kind of graffity because someone has put real effort into painting this. It's more than the usual scribbled profanity. A narrative is in there somewhere... with two characters. They seem happy. The flower is a nice touch. Perhaps a female influence?
Thursday, February 12, 2009
A story of a brand
It's interesting how brands evolve... a good brand is one that is worth copying and one that has a story to tell. We associate images and emotions with brands. This means that the true value of a brand lies in it's story. Just by adding these two words a narrative is linked to a simple wooden bike.
Friday, January 30, 2009
Thursday, January 29, 2009
Ecology of Narratives
Wednesday, January 28, 2009
Social media works for Barack Obama
Obama's success is just another indication how big of a role social networks on the Internet are playing. To put it more colourfully - in a sense, future politics will be determined by the speed of your Internet connection.
Wednesday, December 12, 2007
Web 2.0 apps
So, the next time you are shopping for a new application, why not check out possible web alternatives which are often free.