Saab näha, kuidas mekib.
Wednesday, April 01, 2009
Tuesday, March 10, 2009
How not to say anything
Another example of an urban narrative - graffity with a "point". Althoug it seems that the author has nothing to say he/she does it with a bold statement. I think all of us can somewhat relate to the message. I often get overwhelmed by the overflow of information and I sense somekind of an obligation to create content myself... if you don't publish, you don't exist on the web. But what if I have nothing to say? Is it acceptable to be only a media consumer in the world of web 2.0?
Image borrowed from Geroli's post.
Urban forms of narrative
This is relatively new graffity. The overprass is near the place where I grew up and it's a favorite spot for graffity artists. Just recently I discovered that the previous graffity had been "erased". But this seemed to be an invitation and "a clean page" for new artists to try their skills. I like this kind of graffity because someone has put real effort into painting this. It's more than the usual scribbled profanity. A narrative is in there somewhere... with two characters. They seem happy. The flower is a nice touch. Perhaps a female influence?
Thursday, February 12, 2009
A story of a brand
It's interesting how brands evolve... a good brand is one that is worth copying and one that has a story to tell. We associate images and emotions with brands. This means that the true value of a brand lies in it's story. Just by adding these two words a narrative is linked to a simple wooden bike.
Friday, January 30, 2009
Thursday, January 29, 2009
Ecology of Narratives
Wednesday, January 28, 2009
Social media works for Barack Obama
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Obama's success is just another indication how big of a role social networks on the Internet are playing. To put it more colourfully - in a sense, future politics will be determined by the speed of your Internet connection.
Wednesday, December 12, 2007
Web 2.0 apps
So, the next time you are shopping for a new application, why not check out possible web alternatives which are often free.